Man Child Kranky Washington’s band get squelchy

Washington’s band get squelchy

fruitful days in a North West London studio

Cuts provided by their resident DJ

The tracks were taped in New York during two 1963 sessions at the Choreographer's Workshop

Man Child Kranky Washington’s band get squelchyFrom 1977 until 1981, the sound of most of the Hancock recordings was dominated by synthesizers. Polyphonic instruments were being designed and manufactured at an alarming rate until musicians were overwhelmed by the choices. Herbie found that some synthesizers had unique tonal qualities, and polyphonality, such as the Prophet models and Yamaha CS 80. In this period, Herbies and sound technician Bryan Bells programming yielded soundscapes that