Karma Olga Bushkova carecen de una narrativa tradicional

carecen de una narrativa tradicional y se instalan en una especie de abstracción que recuerda uno de los mandatos más explícitos del expanded cinema

Philip Perkis began photography in the U

From this dystopian and sometimes absurd atmosphere

In this region

Karma Olga Bushkova carecen de una narrativa tradicionalIn Karma, a project developed in Madrid between 2009 and 2013, scar Monzn focuses on the car as a means of transportation that is not entirely distinct from the person who inhabits it, for the vehicle is in itself a product of the wheel that endlessly spins inside us. Karma explores a range of unconscious human behaviours imprinted on our memory. In terms of the relationship we establish with the car, these forms of conduct materialise in specific